Modernity in Dance: Appearance, Projection, Legacy |
Moved to Move: Conceptualising dancers as a transnational community and ‘creative class’ migrants |
Moving mnemes |
Moving sites: Questioning and interrogating site-specific dance performance |
Moving with times and making it present: the tactical bodies of Taiwanese contemporary dance companies |
Multidisciplinary dancer, performance profile |
Murmurs of innocence |
New Dance Audiences |
Occupying the body and space in the choreography of Marjana Krajac |
On View: Rendering Embodied Knowledge to Screen |
On-Line Tap Dance Class |
Peace moves: Dance, identity and peace building |
Peak bodies managing in changing environments |
Pedagogical transformations: Integrating contemporary dance and yoga in the dance studio |
Peer review in dance classes using personal video feedback |
Physical Manifestations of Assent: Power, Gender and Response |
Playing past and future: Knowledge as revealed by artist and scholar |
Post-national Collectivities of South Korea in Dancing Bodies: Embodiments of Korean Traditional Mask Dance “T’alch’um” from the 1960s–1980s |
Post-privacy in performance: the new transparency |
Practicing Dance Partnerships in Canada: University, Non-Profit and Research Council Collaboration |
Preserving Canadian contemporary dance: A case study |
Re-claiming Cabelo Seco through dance |
Re-conceiving Laban as a Social Democratic Lens |
Re-Imagining Planning: Creative arts as a catalyst for revitalisation of industrial areas in Delhi (India) |
Re-viewing Tagore: Gender, spectatorship and performance |
Recent Research Trends and Future Outlooks in Dance Education in Japan |
Rehearsal directing in an educational context |
Remembering through the body: The case of the Vietnam Veterans Memorial |
Rituals of time and memory: A study on the Legend Lin Dance Theatre’s ‘Heaven, Earth and Humans Trilogy’ |
Rumbera Re-imagined |