| 100 Years of The Rite of Spring: choreographing Chinese modernity |
| A case study – Creative Space: Residency for Mid-Career Choreographers project |
| A Dance Journey with Visually Impaired Students |
| A dance-based project in response to an exhibit based on the book, Half the Sky, by Nicholas Kristof and Sheryl WuDunn |
| A model for open rehearsals: Referencing the past and looking towards the future |
| Acts of embodiment & imagination in the practice of performance |
| Afro-Caribbean Dance, Critical Thinking, and Global Activism |
| Amrita Performing Arts: an evolution in Cambodian dance |
| Anahata: Unbound by time and space |
| Andre Levinson: A new look at pure dance criticism of the 20th century |
| Approaches to dance education: looking at learning in the dance studio in relation to creativity, somatics and collaborative learning |
| Archiving the Body, The Body as Archive: Postmodern Dance as Acts of Memory |
| Australian dance artists and the French connection |
| Avalanche: A case study in creative action as research |
| Beauty, Dasein and ‘Of an Apocalyptic Tone’ adapted in Le Sacre du Printemps of Marie Chouinard |
| Being a female dancer in 18th c. Europe: history, narrative and historiography |
| Being visible: Dance, disability and difference |
| Beyond Preservation: Embodying the Past |
| Bodily Presence in the New Media Performance: The case study of YiLab’s W.A.V.E.(2011) |
| Bringing History to Life: Pedagogical Approaches to Dance History in Higher Education |
| Buffet or something else? How to develop the connection between technique class and repertoire |
| Change and Opportunity: The influence of law modifications on Dance Talented Class in Taiwan compulsory education |
| Choreographic legitimacy and dance genres: experiences of female hip-hop dancers |
| Collaborations: Viver Brasil and the making of transnational communities |
| Collaborative creativity and choreographic practices |
| Collaborative experiences: sharing as resistance |
| Comparative study of two systems: Laban Movement Analysis (LMA) and Functional Analysis of the Dancing Body (AFCMD) |
| Complicating Identity: Traditional dance practices in contemporary settings |
| Contemporizing an archive of dissociate states within choreographic practice |
| Conversations in dance: dancers in the São Paulo’s scene |
